DAVID MAISEL/BLACK MAPS features twenty-eight pigment prints from four series created between 1989 and 2007. Selections from The Lake Project, The Mining Project and American Mine, Terminal Mirage, and Oblivion engage with the most apparent levels of environmental, land-use, and sustainability issues, but the photographs function on both documentary and metaphorical levels. Although these photographs evidence devastation, they also transcribe a profoundly disturbing psychic landscape that depicts a shattered reality of our own making. www.smoca.org
The Middle East’s largest contemporary art fair was attended by 22,500 UAE-based, regional and international guests, including curators, collectors, gallerists, artists, and [Read More]
The Getty Research Institute announced the acquisition of the archive of Lewis Baltz (American, born 1945). A distinguished photographer and author, Baltz [Read More]
Tanya Bonakdar Gallery of new York presents an exhibition of new works by the Danish-Icelandic artist Olafur Eliasson (B. 1967). Eliasson’s sixth [Read More]