DAVID MAISEL/BLACK MAPS features twenty-eight pigment prints from four series created between 1989 and 2007. Selections from The Lake Project, The Mining Project and American Mine, Terminal Mirage, and Oblivion engage with the most apparent levels of environmental, land-use, and sustainability issues, but the photographs function on both documentary and metaphorical levels. Although these photographs evidence devastation, they also transcribe a profoundly disturbing psychic landscape that depicts a shattered reality of our own making. www.smoca.org
Overgaden presents Apichatpong Weerasethakul Primitive on view through 1 May 2011. In co-operation with Copenhagen’s international film festival CPH PIX, Overgaden also [Read More]
The Fahey/Klein Gallery presents three new bodies of work from photographer Mark Laita: Amaranthine, Sea, and Serpentine. On view July 28, 2011 [Read More]