DAVID MAISEL/BLACK MAPS features twenty-eight pigment prints from four series created between 1989 and 2007. Selections from The Lake Project, The Mining Project and American Mine, Terminal Mirage, and Oblivion engage with the most apparent levels of environmental, land-use, and sustainability issues, but the photographs function on both documentary and metaphorical levels. Although these photographs evidence devastation, they also transcribe a profoundly disturbing psychic landscape that depicts a shattered reality of our own making. www.smoca.org
The New York Public Library’s Photography Collection is celebrated with Recollection: Thirty Years of Photography at The New York Public Library, a [Read More]
The Museum of Modern Art presents New Photography 2013 an exhibition on view throughJanuary 06, 2014. New Photography 2013 presents recent works [Read More]