DAVID MAISEL/BLACK MAPS features twenty-eight pigment prints from four series created between 1989 and 2007. Selections from The Lake Project, The Mining Project and American Mine, Terminal Mirage, and Oblivion engage with the most apparent levels of environmental, land-use, and sustainability issues, but the photographs function on both documentary and metaphorical levels. Although these photographs evidence devastation, they also transcribe a profoundly disturbing psychic landscape that depicts a shattered reality of our own making. www.smoca.org
The Los Angeles County Museum of Art (LACMA) presents Catherine Opie: Figure and Landscape, featuring recent work by the internationally renowned and [Read More]
Toronto’s Images Festival is the largest festival in North America for experimental and independent moving image culture, showcasing the innovative edge of [Read More]
The Museum of Contemporary Canadian Art announced Toronto-based photographer Edward Burtynsky as the recipient of the $20,000.00 MOCCA Award in Contemporary Art [Read More]
The Ryerson Image Centre presents Robert Burley: The Disappearance of Darkness an exhibition on view now through April 13, 2014. The exhibition [Read More]