DAVID MAISEL/BLACK MAPS features twenty-eight pigment prints from four series created between 1989 and 2007. Selections from The Lake Project, The Mining Project and American Mine, Terminal Mirage, and Oblivion engage with the most apparent levels of environmental, land-use, and sustainability issues, but the photographs function on both documentary and metaphorical levels. Although these photographs evidence devastation, they also transcribe a profoundly disturbing psychic landscape that depicts a shattered reality of our own making. www.smoca.org
Santa Barbara Museum of Art presents Un/Natural Color, an exhibition of color photography on view through September 29, 2013. This exhibition looks […]
The Getty Research Institute announced the acquisition of the archive of Lewis Baltz (American, born 1945). A distinguished photographer and author, Baltz […]
Museum of Contemporary Photography presents Victoria Sambunaris. Taxonomy of a Landscape an exhibition on view through Mar 31, 2013. Victoria Sambunaris Untitled […]