DAVID MAISEL/BLACK MAPS features twenty-eight pigment prints from four series created between 1989 and 2007. Selections from The Lake Project, The Mining Project and American Mine, Terminal Mirage, and Oblivion engage with the most apparent levels of environmental, land-use, and sustainability issues, but the photographs function on both documentary and metaphorical levels. Although these photographs evidence devastation, they also transcribe a profoundly disturbing psychic landscape that depicts a shattered reality of our own making. www.smoca.org
The Massachusetts Institute of Technology’s List Visual Arts Center presents Otto Piene: Lichtballett an exhibition of the light-based sculptural work of Otto [Read More]
The Musée de l’Elysée in Lausanne, Switzerland, announced a new photography prize, the Musée de l’Elysée supports photographers in the production of [Read More]