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WIELS Contemporary Art Centre Opens Alina Szapocznikow Sculpture Undone Exhibition

WIELS Contemporary Art Centre presents Alina Szapocznikow Sculpture Undone, 1955–1972 on view through 8 January 2012.

WIELS Contemporary Art Centre opens its season with the premiere of an expansive solo exhibition of Polish sculptor Alina Szapocznikow (1926–1973). This major event, the fruit of an exceptional collaboration initiated by WIELS and the Museum of Modern Art in Warsaw, is one of the first large-scale surveys of the artist’s work outside of Poland and concentrates in particular on her late period from 1955 to her untimely death in the early ’70s, at age 47. Those years are best described as her experimental period, and it is precisely the artist’s shift to the use of new materials and forms that is the crux around which the exhibition is built.

As a sculptor who began working in the post-war period in a rather classical, figurative manner, Szapocznikow’s progressive development towards a conception of sculpture as an imprint not only of memory but of her own body left behind a legacy of provocative objects—at once sexualized, fragmented, vulnerable, humorous, and political—that still sit between Surrealism, Nouveau Realisme, and Pop Art. Her tinted polyester casts of her lips and breasts transformed into quotidian objects like lamps or ashtrays, her poured polyurethane forms, and her construction of sculptures that incorporate photographs remain as remarkably idiosyncratic and contemporary today as they were when they were first made.

Although she was already quite early in her career well known in Poland where her work has been highly influential since, her oeuvre remains ripe for art historical re-examination. Alina Szapocznikow: Sculpture Undone, 1955–1972 comes at an auspicious moment when international interest in her work has blossomed, major public collections have added her to their permanent collections, and new publications in English on the artist are forthcoming. The exhibition will travel to the Hammer Museum, Los Angeles (February 5–April 29, 2012), the Wexner Center for the Arts, Columbus, Ohio (May 19–August 5, 2012), and The Museum of Modern Art, New York (October 7, 2012–January 28, 2013) after the WIELS showing, which will be the only European venue for the exhibition.

The exhibition will feature more than one hundred artworks, privileging all of the media Szapocznikow worked in, including photography and drawing alongside her primary practice of sculpture and object-making, but also giving place to archival documents and other preparatory and documentary material. Involving loans from private and public collections, from institutions in Poland and abroad, this exhibition will endeavour to introduce and contextualize the artist’s work to a broader international audience, all while revealing its resolute contemporaneity and continuing relevance to discussions of sculpture-making today.

WIELS Contemporary Art Centre
Avenue Van Volxemlaan 354
1190 Brussels, Belgium
T +32 (0)2 340 00 50
www.wiels.org

Image: Alina Szapocznikow, “Petit dessert I” (Small Dessert I), 1970–71. Kravis Collection. © The Estate of Alina Szapocznikow/Piotr Stanislawski.

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